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Érica Faleiro Rodrigues, Lusófona University, European Alliance FilmEU, Portugal In an immersive and forward-thinking workshop, third-year BA Film students from diverse European
backgrounds will lead an interactive panel discussion, representing minority and underrepresented groups. This engaging session aims to explore the essence of true equity and inclusion in
arts institutions. Film educators from various European nations will participate in a dynamic Q&A session, kickstarted by digital voting to gauge responses to a series of statistical
figures and scenarios. The real-time feedback will guide the conversation, fostering spontaneity and interaction. Prepared with researched backgrounds, teachers will pose three pivotal questions,
facilitated by a skilled host. A comprehensive report will capture insights, becoming a valuable resource for disseminating knowledge. With a focus on promoting equity, diversity, and inclusion
in arts education, this workshop signifies a meaningful step towards transformative change in the educational and wider arts community.
Pratāp Rughani, University of the Arts London, United Kingdom How do creatives and arts educators relate to the rise of populism and respond to those who use democratic freedoms
to undermine democratic values? How do work with people and practices who seek to break democratic freedoms from the inside? What are the edges of free speech and freedom of expression in
an increasingly polarised environment? Is dialogue possible and if so how to we achieve this? What are 'safe' and 'brave' spaces and the conditions of meaningful dialogue - especially if
we strongly diagree? What can we learn from Europe’s lethal dances with neo-fascism, xenophobia and racism? A short provocation/presentation interleaves with workshop elements. This session
configures a space where participants can work through what dialogue means in learning environments, including arts practice examples.
Zoë Poluch, Marit Shirin Carolasdotter, Stockholm University of the Arts, Sweden The three-year EU funded project “Diversity in European Higher Dance Education” investigates how the
location of each artistic institution, the prevailing dance culture, the working language, the teaching body, and the curriculum are all variables that influence the creation of institutionally
specific ways of practicing diversity, engendering different degrees and forms of inclusiveness and exclusion towards the student body. Using the theoretical framework and questions of the
research, this interactive workshop will, with open hearts and open ears, explore the diversity of practices and positionalities present in the room at Nida, including the various individual
and collective, physical and institutional bodies that one has affinities with, both past and present.
Silvia Ferrando Luquin, Institut del teatre de Barcelona, Spain Amidst a significant crisis triggered by revelations of "sexual harassment and abuse of power against students at
the Institut del Teatre", leading to the resignation of the Directorate General and the entire management team of the Drama School, the aftermath saw the emergence of a new director. The
appointee, the protagonist of this narrative, secured the position through a competition with a transformative IT project. Central to this initiative is the Welfare Project, evolving in two
phases. The initial stage focuses on the Public Prosecutor's Office, establishing protocols for psychosocial risks. The subsequent phase delves into the core question of what is taught, prompting
a profound reflection on performing arts canons and methodologies. The introduction of the Centre 360 I+D fosters dialogue on the institution's narrative and well-being, emphasizing the importance
of diverse stories within large institutions. The endeavour challenges norms, encouraging innovative research, artistic practices, and collaborative workspaces, ultimately aiming to shape
a more inclusive and welcoming environment.
Ruth Mateus-Berr, Pia Scharler, Lisa Kielmeier & Alexandra Andrea Rusz, University of Applied Arts Vienna, Austria By the year 2050 there will be close to 149.2 million elderly
people living in the EU. Elderly people tend to opt against using rollators, feeling the objects lack an appealing design, one that does not address them, as well as feelings of being discriminated
against. However, there are also comforting stories shared by those affected. The aim of this workshop is to identify intergenerational, individual, and culturally different needs while co-create
stories and finding solutions together for an ageing society.
17:15 - 18:00
Check in/ meditation Exhibition / Dining Hall
19:00 - 20:00
Dinner Exhibition / Dining Hall
20:00
GRIESSNER STADL – turning the world up-side-down Exhibition / Dining Hall
Ruth Mateus-Berr & Sophia Widmann, University of Applied Arts Vienna, Alexandra Leitgeb, Anita Winkler, Marina Trippl, Nici Daros, Tamara Hotter, Andreas Oberweger, Daniel Wiedemaier, Ferdinand Nagele, Gerhard Url, Gert Engelbrecht, Manfred Daros & Philipp Rirsch, GRIESSNER STADL Austria The inclusive theater/performance group GRIESSNER STADL with Lebenshilfe Murau and the University of Applied Arts Vienna invite you to a dance ritual. A game with liminality and the crossing of boundaries.
A game with voyeurism and conscious exposure. How do we change perception through shared experience? What are the implications for our artistic practice and art education? The focus of our work is the process-based
creation, which in each instance is unique. A cross-disciplinary social interaction creates an artistic statement characterized by collaboration on equal terms: We learn from each other in the sense of co-ability
understanding. Reflecting on what we have experienced together is part of this game. We invite you to a variation of our inclusive dance ritual, first performed at the European Cultural Center at the Venice
Biennale 2022.
Carolina Vasilikou, Manchester Metropolitan University, Manchester School of Art, United Kingdom Join an interactive workshop that serves as a 60-minute design-by-making activity,
exploring the celebration of diverse student voices within institutional spaces. Inspired by the 'Greater Than the Sums of Parts' project at the University of Reading (https://blogs.reading.ac.uk/sbe-edi/2023/03/08/great-than-the-sum-of-parts/),
this session invites participants to engage in experimental bamboo conversions, accentuating and negotiating space appropriation. Drawing from the student-led initiative where bamboo structures
took over the School of Architecture, participants will explore playful, non-conformist methods to existing architectural elements through wearables and three-dimensional responses. The workshop,
co-developed with the Manchester Student Society of Architecture, fosters radical empathy by weaving together diverse identities in a shared reality. Participants will contribute to the co-creation
of a larger, intricate sculpture, emphasizing differences and collective values. Open to public participation, this session promises a hands-on exploration of collaborative practices and
the celebration of varied student voices within institutional settings.
Rosa te Velde, Paulina Mendez, Amsterdam University of the Arts, the Netherlands Embark on a reflective journey exploring the intersection of students' lives outside the academy
with their experiences within art institutions. Should art school exist as a bubble, and whose experiences are excluded? Delve into these inquiries using the 5-pillar framework from the Social
Justice and Diversity in the Arts Research Lectorate of the Amsterdam University of the Arts. The five pillars are concepts that guide and question our actions in education, artistic practice,
and research. They are rooted in indigenous knowledge and decolonial theory, encompass relationality, temporality, transformation, cost, and joy (https://www.ahk.nl/en/sjda-5pillars/). Explore
these crucial questions and engage in meaningful discussions during this insightful session.
Sunedria Nicholls-Gärtner, ifs internationale filmschule köln, Germany Engage in a transformative exploration of narratives, audiovisual representations, and digital media's impact
on our social understanding. This session, inspired by the collaborative research project future.film.education, addresses the imperative need for dialogue on vulnerability in global film
and media education. Focused on fostering gender equality and diversity discussions, the project, a collaboration among three European film and art schools, generated specialized toolkits
and a MOOC over two years. These resources aim to cultivate innovative, inclusive, and diverse film and higher education environments, both on and offline. The session provides firsthand
experiences of the project's outcomes, inviting the audience to navigate critical thinking in media concerning equity, diversity, and inclusion. Participants will engage in a facilitated
discussion, delving into issues of diversity and inclusion as essential components of current and future artistic education. Join this insightful exploration into reshaping educational landscapes
in the realms of film and media.
Rosie Nicholas, W. Victoria Lee, The University of Edinburgh, Edinburgh College of Art, United Kingdom Participate in an insightful session delving into the nuanced dynamics
of creating inclusive spaces within Higher Arts Education. ECA is dedicated to fostering an inclusive culture by acknowledging the importance of all perspectives in governance, academia,
and institutional structures. This workshop aims to explore how the concept of space, both physical and cultural, varies among individuals. The focus is on understanding how to ensure
that the spaces created are actively embraced, especially by those who may not instinctively feel entitled to do so. Provocative discussions will address questions such as: how do we
encourage, engage and support everyone to create space for inclusion, rather than it being seen as another task to be prioritized? If there are unequal commitments to creating space within
our communities, how can we focus on and ensure spaces which are made throughout a school (such as ECA), are taken, embraced, and nurtured to become as inclusive as possible?
Nona Sadey, Magda Thielemans, Royal Academy of Fine Arts Antwerp & Royal Conservatoire Antwerp, Belgium Embark on a transformative journey in an interactive workshop exploring
the nuances of creating safe(r) and brave(r) spaces within educational environments. This session questions the essence of safety, steering its evolution towards bravery, and delves into
the complexities of fostering resilience in teaching artists. Acknowledging institutional efforts to be more inclusive, the workshop addresses the reality that spaces, be they physical,
emotional, or creative, may not always be prepared for the challenges of welcoming diverse perspectives. While rethinking institutional structures takes time, participants will engage
in discussions on tangible steps towards creating a nourishing environment. The workshop emphasizes collective care, physical artistic awareness, and mental resilience, providing concrete
tools for holding space in interpersonal contexts. Participants will leave equipped with practices to foster accountability and implement positive changes in both work and educational
settings.
Ronen Abas, HKU University of the Arts Utrecht, the Netherlands Explore student engagement in the Diversity and Inclusion (D&I) discourse at Utrecht University of the Arts
in this interactive workshop led by students and teachers. Delve into the role of students as stakeholders and change agents, focusing on two best practices: Speak Up Now and #include.
These initiatives, with distinct methodologies and outreach, exemplify student-led efforts at the HKU School of Theatre. The workshop examines creating space for student participation
within the organization and situates these communities within the broader perspective of the D&I program. Key topics include defining the role of coaches, navigating activism vs.
'connectivism,' and more. The workshop welcomes a broader digital audience, fostering discussions on advancing student involvement and impact within the university's D&I framework.
Join this dynamic session to contribute and learn from innovative student-led practices at Utrecht University of the Arts.
Alessia Cargnelli, National College of Art & Design Dublin, Ireland The workshop, guided by the philosophy that everyone has the right to belong without the need for charity
or hospitality, focuses on the concept of belonging in visual arts archives within educational institutions. As a postdoctoral researcher at the National Irish Visual Arts Library (NIVAL),
the presenter is spearheading a project to diversify library collections, providing visibility to underrepresented artists and designers from diverse backgrounds on the island of Ireland.
Employing a participatory-led approach, the workshop draws inspiration from the 'emergent strategy' developed by social justice facilitator Adrianne Maree Brown. Workshop participants will
contribute to discussions on site accessibility, language of inclusion, and collection policies, aiming to foster a more inclusive and welcoming environment for artists, students and researchers,
within their own institution and beyond. The resulting visual material will be compiled into a toolkit, shared with participants to encourage collective thinking and making beyond the workshop.
Stefanie Rau, weißensee school of art and design, Germany Experience a poetic lecture performance unveiling the three-year artistic research project, "Periphery of the Curriculum,"
at the weissensee academy of art and design in Berlin. This exploration delves into the nuances of teaching in workshops and the foundation year; crucial yet often overlooked aspects of the
art school's social dynamics and initial stages. The project fosters a productive exchange, contemplating the intersections between workshop teaching and foundational learning approaches.
How can these local knowledges mutually strengthen and learn from each other? The focus extends to the spaces created through teaching, pondering the dynamics, changes, and the collective
identity within these spaces. Interviews with various actors in these spaces provide critical self-reflection, uncovering overlooked aspects. The aim is to not only explore a specific context
but also offer broader insights, resonating with a wider audience of critical art educators. Join this session for a profound journey into the complexities of art education.
16:30 - 18:00
Closing Exhibition / Dining Hall
19:00 - 20:00
Dinner Exhibition / Dining Hall
20:00
Social activities (sauna, singing workshop and more surprises)