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2019 Regional Seminar | Nantes
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2019 Regional Seminar | Nantes

Routes for aspiring artists and designers wanting to join an arts school

13 - 15 March 2019

Hosted by Beaux-Arts Nantes Saint-Nazaire, France

We would like to thank the delegates, speakers, moderators, researchers, partners, and our dear host and co-organiser Beaux-Arts Nantes Saint-Nazaire for their dedicated contributions and for the inspiring seminar days in Nantes & Saint Nazaire. 

The interest in art studies worldwide has generated such enthusiasm that numbers are growing each year, to the point that a real traffic jam has been created at the point of entry. This has resulted in increasingly selective admission policies being put in place resulting in competition between applicants, between schools and the creation of a multitude of preparatory programmes. These programmes have lengthened the period of study and paradoxically fostered a tendency towards standardisation.

How do we deal with these phenomena? What answers can we provide to students’ demands, aspirations and contingencies? How do we provide the necessary selection processes, yet remain open and diverse. On what criteria and objectives are these processes based? How can we provide clarity and transparency and still retain a rich landscape of preparatory programmes to our art schools?

These and more questions were at the core of the ELIA Regional Seminar, hosted by and co-organised at the initiative of Beaux-Arts Nantes Saint-Nazaire, on 13-15 March 2019.

During this event, leaders, academics, artists, professionals and intellectuals from European and international higher arts institutions came together to actively discuss and analyse the models that have been developed, in France and Europe in the last two decades. The aim was to share experiences and models of best practice, as well as identify new strategies and new perspectives, and outline critically engaged responses that create productive dialogue around the future of students, schools and artistic creation in general.

Speakers

The ELIA Seminar gathered numerous representatives from international higher arts education institutions to share their practices and experiences with the admissions processes to arts studies.

   
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ORLAN

ORLAN is one of the most famous internationally known French artists. She creates sculptures, photographs, performances, videos and video games, and augmented reality, using scientific and medical techniques like surgery and biogenetics. These are only mediums for her, the idea prevails and the materiality pursues.

ORLAN makes her own body the medium, the raw material, and the visual support for her work. It takes place as the “public debate”. She is a major figure of the body art and of “carnal art” as she used to define it in her 1989 manifesto.

Her commitment and her liberty are an integral part of her work. She defends innovative, interrogative and subversive positions, in her entire body of work. ORLAN changes constantly and radically the data, which disrupt conventions and “ready-made thinking”. She is opposed to natural determinism, social and political and to all domination forms, male supremacy, religion, cultural segregation and racism, etc.

Always mixed with humour, often a parody or even grotesque, her provocative artworks shock audiences and shake up the pre-established codes.

ORLAN won the E-reputation award for the most observed and followed artist on the Internet.

ORLAN taught at the Art Center College of Design in Pasadena (CA, U.S.A.).

She was also a professor at the École Nationale Supérieure d’Arts de Paris-Cergy (ENSAPC).

Photo: Self-Hybridizations, 2007, Portrait of ORLAN and Agatha Ruiz de la Prada

Learn More
 
 
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Marc Partouche

Marc Partouche is an art critic, writer, curator, with extensive expertise in higher education in the fields of art, design and media education.

As a university administrator, he is the former Director of the Ecole nationale supérieure des Arts Décoratifs (ENSAD) in Paris (until July 2018), of the Académie Royale des Beaux-Arts (ARBA-ESA) in Brussels, and of the École supérieure d’arts de Paris-Cergy.

As a civil servant at the French Ministry of Culture and Communication, he dedicated his career to contemporary art and artistic creation (notably as an inspector for research, technological creation and the audiovisual sector, and as an adviser to the Head of the Visual Arts Division of the Ministry).

In addition, he was head of research at the Cité du Design in Saint-Etienne, and adjunct to chief curator of the international exhibition Images 2004. As an educator, he holds a PhD in Aesthetics and Art, and has taught art, culture, media history and theory (having held positions at the art school in Tours, the University of Provence Aix-Marseille, ENSCI-les Ateliers in Paris). He is President of the Centre international de recherche sur les pratiques de création (Brussels) and co-founder of the research chair in Creation and Creativity (Saint-Etienne, Paris, Brussels).

As a critic and art historian, he was a member of the executive board of AICA France, and has published over 300 articles and forewords.

 

View the full list of speakers and schools featured in the Nantes Regional Seminar here.

Venues

During the ELIA Regional Seminar the delegates had the opportunity to enjoy some unique spaces in Nantes & Saint Nazaire:

Escal' Atlantique

Boulevard de la Légion d'HonneurSaint Nazaire

The Wednesday dinner will be held at Escal' Atlantique, a hidden treasure inside the former submarine base in the harbour of Saint-Nazaire. Escal'Atlantic is a museum that explores the historic ocean liner experience and tells the incredible story of the luxurious giants of the oceans. Ready to set sail? 

Theatre de St Nazaire

Rue des Frères Pereire Saint Nazaire

The programme on Thursday will be held at Theatre de St Nazaire, situated between the old railway station and the submarine base.

Ecole des Beaux-Arts Nantes

2 allée Frida Kahlo Nantes

On Friday the delegates will be brought to Ecole des Beaux-Arts Nantes, where the programme will take place.